论中国画意象生成的形式要素——关于图像、程式、笔墨的思考  

A Brife Discussion on the Essential Form of Creating Images in Chinese Paintings

作　　者：屈健[1] 殷梅青[1] 

机构地区：[1]西北大学文学院艺术系,陕西西安710069

出　　处：《西北大学学报（哲学社会科学版）》2004年第3期137-140,共4页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：陕西省教育厅专项科研计划项目<中国绘画美学>;西北大学科学研究基金项目<中国绘画美学研究>

摘　　要：中国画意象的生成,是建立在中国特殊哲学背景和民族文化心理结构基础上的一种独特的东方艺术美学。就传统中国画而言,图像、程式、笔墨是构筑中国画人文情态的重要依据、是中国画审美意象生成最主要的形式要素,被赋予了众多的象征意义和责任,成为中国画艺术重要的识别标志。而意象生成过程中图像、程式与笔墨的交融则体现了中国艺术对道的观照。中国画中意象的营构,图像、程式、笔墨的展现是一个相辅相成的"明道器"的统一,对中国画最终意境美的形成具有重要意义。Creation of images in Chineses paintings is based on the special background of Chinese philosophy as well as on the framework of the nation′s cultural psychology featuring an unique oriental art and aesthetics.In traditional Chinese paintings, image, pattern style and Chinese ink and brush are the essential means for expressing the artistic mood of Chinese artists as well as the important factors for creating aesthetical images, and therefore they reflect a lot of symbolic sense and responsibilities, very important for distinguishing the characteristics of traditional Chinese paintings. In the process of creating images and picture′s pattern style, the integration of image, pattern style and ink and brush mirror the viewpoint of how the artist understands the relations between Chinese art and Chinese philosophy. The above-mentioned elements, if expressed in a harmonious way, will play an important role in producing artistic charm and flavour of tradional Chinese paintings.

关 键 词：意象 图像 程式 笔墨 

分 类 号：J20[艺术—美术]