郎世宁与中国十八世纪帝王肖像画的复兴  

Giuseppe Castiglione and the Renaissance in Chinese Portraits of Emperors in the 18th Century

作　　者：毕梅雪 李绍毅[2] 

机构地区：[1]法国高等研究实践学院 [2]故宫博物院外事处

出　　处：《故宫博物院院刊》2004年第3期92-104,共13页Palace Museum Journal

摘　　要：本文探讨了中国18世纪帝王肖像画复兴的历史背景,强调了郎世宁在清内廷供职期间所起的重要作用,揭示了郎世宁独特画风的形成缘由,特别是对欧洲袖珍画的借鉴作用。同时论及此画风在宫廷绘画中消长的历程和对18世纪文人肖像画的影响。The author investigates the historical background to Chinese imperial portraits of the 18th centuryand emphasises the role played by Giuseppe Castiglione in his work at the court. The author reveals the reasonsfor the emergence of Giuseppe Castiglione's unique painting style and particularly the extent to which he drewon European miniature painting. At the same time the author discusses the endurance on this painting stylein court painting and its influence on 18th century literati portrait painting.

关 键 词：郎世宁 中国 十八世纪 帝王肖像画 宫廷绘画 审美 骑马像 

分 类 号：J209.2[艺术—美术]