如何规定艺术  

How to Define the Art

作　　者：王亮[1] 章建刚[2] 

机构地区：[1]山西大学音乐学院 [2]中国社会科学院哲学所,山西大学艺术研究所

出　　处：《哲学研究》2004年第5期64-71,共8页Philosophical Research

摘　　要：20世纪后半期西方有一些实证主义传统的美学家、艺术理论家极端地认为，艺术是开放的，因而不可定义。莫里斯·韦茨就“声称‘艺术’是一个‘开放的’概念，任何封闭的艺术定义都将使艺术创造成为不再可能”(转引自拉马克，第43页)。他的意思是说：This paper argues that it is groundless when nalytic aestheticians consider that the art is indefinable; that it is too speculative when Martin Heidegger regards the art as the emergence of truth; and that it is incoherent when practical aestheticians in China define the Art as reflection of social life as they ragard beauty as objectification of man's essential capability. In terms of what is mentioned above, the authors now chose practical aesthetics as their starting point to define the art as creativity. That is to say, creativity is the essential property of practice and art is the creation of the meaning of life as well as the formation of humanity. Meanwhile, art as creative essence presents itself along two routes: artistic works and artistic activities. The two authors believe that their argument will be supported by the tradition of the Western philosophy of art.

关 键 词：艺术概念 实践美学 柏拉图 创造性 

分 类 号：J0-02[艺术—艺术理论]