盛唐诗歌精神论  

The Spirit of Poetry at the Height of Tang Dynasty

作　　者：孙学堂[1] 

机构地区：[1]山东大学文学与新闻传播学院,250100

出　　处：《文艺研究》2004年第3期67-73,共7页Literature & Art Studies

摘　　要：盛唐诗人的心灵至少在三个向度上极为活跃地敞开着 :一是通向生命自身的纵深度 ,二是面向人生现实的宏阔度 ,三是走向自然大化的广远度。全方位的敞开造就了宏阔博大而又丰富敏锐的心灵空间 ,积极健康的心态又为诗人心灵与视野中的意识和存在照进明朗的亮色 ,故可以说盛唐诗人的心灵敞而且亮。盛唐诗歌的文本与意指对象之间融合无间地敞开着 ,透彻玲珑的文本使敞亮的心灵得到了敞亮的表现。盛唐诗歌精神不可复现 ,标榜“诗必盛唐”的复古主义者遮蔽了诗情 。Three dimensions can be used to describe the state of mind of the poets at the height of Tang dynasty: deep in understanding life itself, wide in embracing human reality, and far-reaching in becoming nature. This overall openness created a spiritual space of magnitude and plenitude, and an active and sound state of mind brightened the vision of the poets and their awareness of being. The texts and their significance were synthesized seamlessly to open to their objects, presenting the openness of heart through the openness of the texts. The idea that the poetic spirit at the height of Tang dynasty cannot be reproduced, and that no other dynasties could produce poetry as fine as that, is an antiquarianism that masks the essence of poetry and runs counter to the spirit of Tang poetry.

关 键 词：盛唐时期 诗歌 精神论 人生哲理 文本 意指对象 复古主义 心灵空间 进取精神 生命意识 自然情怀 

分 类 号：I207.22[文学—中国文学] I206.2