普罗提诺“太一”说的美学思想分析  

An Analysis of Plotinus’s Aesthetic Thought of “The Grandest One”

作　　者：李晓慧 

机构地区：[1]贵州大学哲学学院,贵州 贵阳

出　　处：《哲学进展》2023年第1期94-98,共5页Advances in Philosophy

摘　　要：把宗教和美学合流是普罗提诺美学思想的特点。在普罗提诺所继承的柏拉图上升审美阶梯理念中,他明确描述了如何从最低等的美上升到美自身的梯阶的审美历程,即从物体的美上升到灵魂的美,再到理智的美,最后回归到美本质的“太一”上去,在普罗提诺的观点里只有与神合一才能从宗教的迷狂中获得清醒达到至高无上的纯净的审美体验。美即神的理念后来影响了中世纪基督教美学和近代宗教美学的相关观念。其思想从“美在整体”到“美在上帝”,最后为关注到人本身的焦点提供了可以参见的视角。The combination of religion and aesthetics is characteristic of Plotinus’s aesthetic thought. In Plato’s idea of ascending aesthetic ladder inherited by Plotinus, he clearly described how to ascend from the lowest beauty to the ladder of beauty itself, that is, from the beauty of objects to the beauty of the soul, to the beauty of reason, and finally to the “The Grandest One” of the essence of beauty. In Plotinus’s view, only by uniting with God can we get a purely aesthetic experience that is sober and supreme from religious fanaticism. That is, the idea of beauty and god later influenced the related concepts of medieval Christian aesthetics and modern religious aesthetics. His thoughts range from “beauty in the whole” to “beauty in God”, and finally provide a visual angle for paying attention to the focus of people themselves.

关 键 词：普罗提诺 太一 三一本体 物体美 灵魂美 

分 类 号：B83[哲学宗教—美学]