《地球公民》中的生态主义解读及美学探索  

Ecological Interpretation and Aesthetic Exploration in Earthling

作　　者：陈蕾 

机构地区：[1]南京师范大学外国语学院,江苏 南京

出　　处：《艺术研究快报》2023年第4期344-351,共8页Art Research Letters

摘　　要：生态美学是在新时代经济与文化状况下提出的人与自然、社会达到动态平衡、和谐一致的处于生态审状态的存在观。生态美学的发展有其历史必然性,且地球是我们赖以生存的家园,对于环境和地球上动植物的保护和科学的进步带来向大自然的索取,二者之间的关系愈发紧张。本文则以《地球公民》这部纪录片为切入点,分析生态主义的整体思想;摒弃人类为中心的狭隘思想,剖析人类现如今面临的生态危机,为每一种价值在环境体验和认识中所做的重要贡献以及其中的美学探索。Ecological aesthetics holds that given the conditions of the economy and culture in the contempo-rary era. Man, nature, and society can attain dynamic balance and harmony. Since the earth serves as our place of residence for existence, the creation of ecological aesthetics has historically been in-evitable. Demands from nature have arisen as a result of the protection of the environment, the earth’s creatures, and plants, as well as the advancement of science, and their connection has grown strained. This essay uses the film Earthing as its jumping-off point to examine ecology as a whole. Abandon the limited human-centered perspective, examine the ecological crisis that humanity is currently experiencing, and make significant contributions to the understanding of each value’s re-lationship to the environment.

关 键 词：生态主义 生态美学 《地球公民》 

分 类 号：G63[文化科学—教育学]