阿瑟·丹托“艺术终结论”视角下艺术与生活的关系  

The Relationship between Art and Life from the Perspective of Arthur Danto’s “The End of Art”

作　　者：杜政鸿 

机构地区：[1]江苏师范大学文学院,江苏 徐州

出　　处：《艺术研究快报》2024年第2期88-91,共4页Art Research Letters

摘　　要：“艺术终结论”是美国学者阿瑟·丹托提出的艺术观念。在艺术终结之后,二十世纪这个时代背景下,艺术获得了极大自由,拥有了前所未有的创造力,区别于传统艺术形式的艺术样式频频出现。在“艺术终结论”的视角下,艺术与生活的界限逐渐消融,艺术自由并非虚无缥缈,通过一系列艺术作品及艺术观念,认识到艺术自由终归于生活。“The End of Art” is an artistic concept put forward by American scholar Arthur Danto. After the end of art, under the background of the 20th century, art has gained great freedom and unprecedented creativity, and art styles different from traditional art forms have appeared frequently. From the perspective of “the end of art,” the boundary between art and life gradually melts, and artistic freedom is not illusory. Through a series of works of art and concepts of art, it is recognized that freedom of art ultimately comes to life.

关 键 词：艺术终结 丹托 自由 生活 

分 类 号：G63[文化科学—教育学]