浅析顾恺之画论对动画角色塑造的启发  

A Brief Analysis of Gu Kaizhi’s Painting Theory on the Inspiration of Animation Character Shaping

作　　者：王佳淇 

机构地区：[1]北京印刷学院新媒体学院,北京

出　　处：《艺术研究快报》2024年第3期245-259,共15页Art Research Letters

摘　　要：东晋最伟大的画家和绘画理论家顾恺之在中国美术史上具有至关重要的地位。他的“传神论”对动画角色的性格塑造具有启发和借鉴意义。研究顾恺之的绘画理论和技法在动画角色的表情、性格塑造中的运用,对传承优秀的中国文化和创新发展动画角色设计有非常重要的实践探索意义。本文分别从顾恺之绘画思想中的角色塑造、顾恺之对角色性格的塑造以及顾恺之的绘画理论和技法在动画角色设计中的运用三个方面展开论述。Gu Kaizhi, the greatest painter and painting theorist of the Eastern Jin Dynasty, played a crucial role in the history of Chinese art. His “theosophy” has enlightening and reference significance for the character shaping of animated characters. Studying the application of Gu Kaizhi’s painting theory and techniques in the expression and character shaping of animated characters has a very important practical exploration significance for inheriting excellent Chinese culture and innovating the development of animation character design. This article discusses the role shaping in Gu Kaizhi’s painting thought, Gu Kaizhi’s shaping of character personality, and the application of Gu Kaizhi’s painting theory and techniques in animation character design.

关 键 词：传神论 迁想妙得 高古游丝描 以形写神 

分 类 号：J20[艺术—美术]