知觉、自由与他者:梅洛–庞蒂身体现象学视域下《无姓之人》的存在之思  

Perception, Freedom, and the Other: Reflections on the Existence of Mr. Nobody from the Perspective of Merleau Ponty’s Phenomenology of the Body

作　　者：王涵 

机构地区：[1]重庆邮电大学传媒艺术学院,重庆

出　　处：《艺术研究快报》2025年第1期8-12,共5页Art Research Letters

摘　　要：梅洛–庞蒂认为身体是人类存在的基础,是主体与客体相互交融的场所。《无姓之人》是一部由雅克·范·多梅尔执导的科幻爱情电影,其中蕴含着对“自我存在”命题的思考,无论是影片对身体知觉的高度肯定、主人公在不同生命轨迹下对“自由”的探索还是他人参与到个体世界完整性的构建中,均与梅洛–庞蒂的哲学思想相呼应。本文通过对《无姓之人》进行身体现象学视域的解读,旨在深化对“自我存在”这一哲学命题的理解,并期望对身体现象学在电影研究领域的应用提供理论贡献。Merleau Ponty believed that the body is the foundation of human existence and the place where subject and object blend together. Mr. Nobody is a science fiction romance film directed by Jacques van Domel, which contains reflections on the proposition of “self existence”. Whether it is the film’s high affirmation of bodily perception, the protagonist’s exploration of “freedom” in different life trajectories, or the participation of others in the construction of individual world integrity, all echo Merleau Ponty’s philosophical ideas. This article aims to deepen the understanding of the philosophical proposition of “self existence” by interpreting Mr. Nobody from the perspective of phenomenology of the body, and expects to provide theoretical contributions to the application of phenomenology of the body in the field of film research.

关 键 词：梅洛–庞蒂身体现象学 存在 知觉 身心含混 《无姓之人》 

分 类 号：O17[理学—数学]