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机构地区:[1]长春光华学院电影学院,吉林 长春
出 处:《新闻传播科学》2023年第4期868-873,共6页Journalism and Communications
摘 要:中国台湾电影随着20世纪后期“新浪潮”的发展陆续被大众所熟知,以其崭新的内容和独特的表现形式触及和剖析了人们关注的社会现象和问题,但是导演们过于重视描写严峻冷酷的现实生活,揭示生活本质,反而显得急功近利,缺乏整体目标。中国台湾电影无形之中对促进两岸文化传播有着重大启示,所以应该适应新时代的主流思想,一边启蒙,一边批判,将更好的作品带给世界观众。With the development of the “New Wave” in the late 20th century, Chinese Taiwan films gradually became well-known to the public, touching upon and dissecting social phenomena and issues with fresh content and unique expressive forms. However, directors’ excessive focus on depicting the harsh and bleak realities of life, aiming to reveal its essence, ironically appeared short-sighted and lacking a holistic vision. Unbeknownst to them, Chinese Taiwan films have inadvertently provided significant insights into promoting cross-strait cultural exchange. Therefore, it should adapt to the mainstream ideologies of the new era, enlightening and critiquing simultaneously, in order to deliver superior works to global audiences.
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