克莱斯特小说中的昏厥现象分析  

Analysis of Fainting Phenomena in Kleist’s Novels

作　　者：张一帆 

机构地区：[1]天津外国语大学欧洲语言文化学院,天津

出　　处：《现代语言学》2023年第8期3723-3730,共8页Modern Linguistics

摘　　要：德国作家克莱斯特对语言的表达能力持有深刻的怀疑态度, 认为语言无法全面表达人的思想,因而身体作为一种媒介所传达出的信息在克莱斯特作品中起到了不可忽视的作用。“昏厥”这一情节在克莱斯特小说中多次出现,其背后所蕴含的深意值得探究。本篇文章以克莱斯特小说为研究对象,分析了昏厥现象所代表的重要意义。The German writer Kleist was deeply skeptical of the expressive power of language, believing that language could not fully express human thought, and thus the message conveyed by the body as a medium played an important role in Kleist’s novels. The plot of “fainting” appears many times in Kleist’s novels, and the deep meaning behind it is worth exploring. This article takes Kleist’s novels as the research object and analyzes the significance of the fainting phenomenon.

关 键 词：昏厥 克莱斯特 德国小说 

分 类 号：G63[文化科学—教育学]