罗曼·英加登论文学作品的性质和结构以及它和读者的关系  

Roman Ingarden’s Comment on the Nature and Structure of Literature Works and the Relationship between It and the Reader

作　　者：张振辉[1] 

机构地区：[1]中国社会科学院外国文学研究所,北京

出　　处：《世界文学研究》2015年第3期101-106,共6页World Literature Studies

摘　　要：罗曼·英加登(1893~1970)是波兰著名的哲学家和文艺理论家,西方20世纪现象派美学的主要代表,他在哲学和美学方面的研究范围很广,在哲学方面包括价值论、伦理学、认识论和本体论等,美学方面涉及到文学、电影、绘画、建筑和音乐等诸多方面,发表了许多新颖独特的观点,他的美学研究对西方20世纪各派美学的发展,都产生了深远的影响。本文拟对他的文学美学的研究及其取得的成果作一个简要的介绍。Roman Ingraden (1893-1970) is the famous philosopher and the theorist of literature and art in Poland. He is the chief representative of western fenomenological aesthetics in the 20th century. His research scope is very wide in philosophy and aesthetic aspects, including the theory of value, ethics, theory of knowledge and ontology in terms of philosophy. In aesthetics aspects, he involved in literature, film, painting, architecture, music and many other aspects. He published many works with unique point of view. His aesthetic research has had a profound influence on the development of the western aesthetic in the 20th century. This article would make a brief introduction of his research and achievements on literary and aesthetics.

关 键 词：意向性客体 文学作品的层次结构 文学作品的具体化 复调和声 形而上学质 

分 类 号：G6[文化科学—教育学]