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作 者:王菡
机构地区:[1]暨南大学文学院,广东 广州
出 处:《世界文学研究》2023年第2期166-171,共6页World Literature Studies
摘 要:本文由徐訏《鬼恋》不同版本的比对入手,发现作家有意修改了小说中的香烟品牌,并在小说中加入了香烟作为“赠礼”的情节设计。以此为进路,本文以1938年单行本《鬼恋》中“香烟”的具体呈现方式为线索,展开“香烟”作为“礼物”与“物”在叙事上的美学分析。其次,聚焦于徐訏所虚构的Era埃及香烟,尤其是“Era”和“埃及”这两个别具“时代”深意的香烟特质上,联系近代埃及与中国的历史命运,分析作家如何将时髦的香烟与反帝斗争结合,深挖“香烟”所承载着的浪漫想象与国族象征意义。Starting with the comparison between different versions of Hsu Yu’s Ghost Yu, this paper finds that the author intentionally modified the cigarette brand in the novel, and added cigarettes as a “gift” plot design in the novel. Taking this as the approach, this paper takes the specific presenta-tion way of “cigarette” in “Ghost Love” officially published in 1938 as the clue to carry out the aesthetic analysis of “cigarette” as “gift” and “thing” in the narrative. Secondly, focusing on the Egyptian cigarette Era invented by Hsu Yu, especially the two cigarette characteristics of “Era” and “Egypt”, and connecting with the historical destinies of modern Egypt and China, the author analyzes how to combine fashionable cigarettes with the anti-imperialist struggle and dig deeply into the romantic imagination and national symbolic significance carried by “cigarettes”.
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