论《红高粱家族》中的陌生化艺术  

On the Art of Defamiliarization in “Red Sorghum”

作　　者：刘鑫悦 魏娜 

机构地区：[1]黄淮学院文化传媒学院,河南 驻马店

出　　处：《世界文学研究》2024年第6期618-623,共6页World Literature Studies

摘　　要：陌生化作为俄国形式主义的一种主要创作方式,在文学创作领域得到广泛应用。莫言在《红高粱家族》大量使用陌生化手法,通过孙辈视角、化人为物、化物为人、意识流等具体方式,深入挖掘高密东北乡和红高粱的文化意蕴,形成独特的陌生化叙事效果,使得文学语言的新异性、人物形象的丰满性得到有效提升。Defamiliarization, as one of the main creative methods of Russian formalism, has been widely used in the field of literary creation. Mo Yan makes extensive use of defamiliarization in “Red Sorghum”. Through the grandchildren’s perspective, materialization, humanization, stream of consciousness and other specific ways, he deeply explored the cultural implications of Gaomi Northeast Township and Red Sorghum, forming a unique narrative effect of defamiliarization, which effectively improved the novelty of literary language and the richness of characters.

关 键 词：《红高粱家族》 陌生化 表现手法 文学效果 

分 类 号：I20[文学—中国文学]