新艺术运动时期阿尔丰斯·穆夏平面设计作品中的植物纹样研究  

A Study on the Plant Patterns in the Graphic Design Works of Alphonse Maria Mucha during the Art Nouveau

作　　者：罗泽原 

机构地区：[1]浙江理工大学艺术与设计学院,浙江 杭州

出　　处：《Design（汉斯）》2023年第2期292-297,共6页设计（汉斯）

摘　　要：欧洲19至20世纪的新艺术运动在设计创作上推崇探索自然,从自然主义艺术中寻找灵感。阿尔丰斯•穆夏作为这时期的领袖人物,在他的许多作品中植物图案常常作为一个标志性元素出现,也是他装饰画面中占比很大的一部分。本文通过文献查阅和赏析穆夏平面作品,对新艺术运动中植物纹样的兴起背景等方面进行归纳总结和研究,试图分析穆夏笔下的装饰植物纹样的主要特征与美感来源,并挖掘其对于现当代设计的影响。The Art Nouveau in Europe from the 19th to the 20th century advocated the exploration of nature in design and creation, seeking inspiration from naturalistic art. As a leading figure of this period, Alphonse Maria Mucha often used plant patterns as a symbolic element in many of his works, which was also a large part of his decorative pictures. Through literature review and appreciation of Mucha’s graphic works, the paper summarized and studied the background of the rise of plant patterns in the Art Nouveau, and tried to analyze the main characteristics and aesthetic sources of Mucha’s decorative plant patterns, and explore its impact on modern and contemporary design.

关 键 词：新艺术运动 穆夏 植物纹样 平面设计 

分 类 号：G63[文化科学—教育学]