基于艺术原理的艺术品数字化设计探析——以达达主义作品为例  

Analysis on the Digital Design of Artworks Based on Art Principles—A Case Study of Dada Works

作　　者：来思渊[1] 林秋妤 

机构地区：[1]浙江理工大学艺术与设计学院,浙江 杭州

出　　处：《Design（汉斯）》2023年第4期2610-2615,共6页设计（汉斯）

摘　　要：随着新媒体时代的到来,数字化技术的发展为新时代艺术品的形成与发展提供了现实基础,艺术品的形式随着时代的发展而改变。为使现存艺术品及其传播形式焕发出新生机,本文在艺术原理的理论基础上,将达达主义时期艺术品与其现代数字设计作品风格进行对比研究,探寻其与艺术原理指导思想的内在联系。以期将艺术原理的意境美学延伸拓展至数字化艺术品设计领域,促进艺术品的时代化发展,在一定程度上为艺术品的数字化应用提供借鉴意义。With the advent of the new media era, the development of digital technology provides a realistic basis for the formation and development of artworks in the new era, and the form of artworks changes with the development of The Times. In order to bring new vitality to the existing artworks and their communication forms, this paper, on the basis of the theory of art principles, makes a comparative study on the styles of artworks in the Dadaist period and modern digital design works, and explores the internal relations between them and the guiding ideology of art principles. It is expected to extend the artistic conception aesthetics of the principle of art to the field of digital art design, promote the development of The Times of art, and provide reference for the digital application of art to a certain extent.

关 键 词：艺术品 原理 达达主义 数字化 设计 

分 类 号：G63[文化科学—教育学]