斯坦尼斯拉夫斯基体系在《窝头会馆》表演中的体现  

The Embodiment of Stanislavski’s System in the Performance of “Wo Tou Hui Guan”

作　　者：薛夏恩 高浩霆 

机构地区：[1]西安外事学院人文艺术学院,陕西 西安

出　　处：《交叉科学快报》2024年第4期437-442,共6页Interdisciplinary Science Letters

摘　　要：斯坦尼斯拉夫斯基体系在现代表演艺术中具有重要地位,通过对演员的情感体验和心理塑造提供系统支持,帮助呈现真实的角色。本研究以《窝头会馆》为研究对象,聚焦分析演员在角色构建、情感展现、台词与动作协调等方面的具体实践。通过研究发现,演员应用该体系中的“情感记忆”和“内心动作”等方法,能深刻挖掘角色心理状态,使表演更加自然流畅,并使角色具有更丰富的层次感和真实性。该体系有效增强了舞台表现力,为观众带来了强烈的代入体验,并对当代表演艺术的实际操作有显著指导意义。研究表明,斯氏体系不仅赋予表演艺术更深刻的表达维度,还激发了更具感染力的舞台呈现。The Stanislavski’s system plays an important role in modern performing arts, providing systematic support for actors’ emotional experiences and psychological shaping, helping to present authentic characters. This study focuses on analyzing the specific practices of actors in character construction, emotional expression, dialogue and action coordination in “Wo Tou Hui Guan”. Through research, it has been found that actors using methods such as “emotional memory” and “inner movements” in this system can deeply explore the psychological state of their characters, making their performances more natural and smooth, and giving their characters a richer sense of hierarchy and authenticity. This system effectively enhances stage performance, brings a strong immersive experience to the audience, and has significant guiding significance for the practical operation of contemporary performing arts. Research has shown that the Stanislavski’s system not only endows performing arts with deeper dimensions of expression, but also inspires more infectious stage presentations.

关 键 词：斯坦尼斯拉夫斯基体系 表演艺术 《窝头会馆》 角色塑造 情感表现 

分 类 号：G63[文化科学—教育学]