从品人术语到文论范畴——“旷达”美学蕴涵之流衍  

From Terminologies of Character Appreciation to Literary Theoretical Categories——the Dessemination of the Aesthetic Content of “KuangDa”

作　　者：程景牧 Cheng Jingmu

机构地区：[1]中国人民大学国学院

出　　处：《中国美学研究》2019年第2期137-153,284,共18页

摘　　要：作为审美范畴、品人术语,"旷达"产生于魏晋时期,催生于玄学与清谈,具有深厚的历史文化背景。"旷达"在唐代开始进入文学领域,并于唐末正式成为文论范畴,广泛运用于唐以后的历代文学批评之中,彰显出既深刻而又独特的文艺价值与学术理念。旷达的美学蕴涵在从品人术语到文论范畴演变的过程中得以拓展深化,愈发成为中国古典美学与文学理论中的一个重要范畴与概念,在史学、哲学、美学、文学等诸多文化领域中均具有强大的生命力与价值意义。As an aesthetic category and a terminology of character appreciation,"KuangDa"emerges during the Wei-Jin period.The Wei-Jin metaphysics and Idle Talk catalyzed its emergence.And it has its profound historical and cultural background."KuangDa"began to appear in the literary field during the Tang Dynasty,and became an official literary category during the end of Tang Dynasty.It is then widely applied in literary criticism during the time periods following the Tang Dynasty,manifesting its deep and unique literary values and academic ideals.Therefore,its aesthetic content has been deepened and expanded during the process of changing from a terminology of character appreciation to a literary theoretical category.Furthermore it has also gained its profound life vitality and meaningful value in the field of history,philosophy,aesthetics and literature.

关 键 词：旷达 品人术语 文论范畴 美学蕴涵 

分 类 号：I206.2[文学—中国文学]