符号结构与感觉重构  

Symbolic Structure and the Reconstruction of Sensation

作　　者：马大康[1] 王正中 Ma Dakang;Wang Zhengzhong(the School of Humanities,Wenzhou University,Wenzhou 325000,Zhejiang,China;the School of Humanities,Huzhou University,Huzhou 313000,Zhejiang,China)

机构地区：[1]温州大学人文学院,温州市325000 [2]湖州师范学院人文学院,湖州市313000

出　　处：《文艺理论研究》2022年第2期1-13,共13页Theoretical Studies in Literature and Art

基　　金：国家社会科学基金后期资助项目[项目编号:20FZWB019]的阶段性成果。

摘　　要：所有符号都是由言语行为与行为语言协同建构的,因此,最终都可以由这两者协同作用加以解释。只有深入了解行为语言、言语行为、其他符号这三种不同类型的符号系统,特别是言语行为和行为语言的施行方式和性质,才能对文学艺术作出合理解释。符号惯例的变革是文学艺术风格演变的直接原因。当惯例的变革涉及文学艺术观念和制度,也就是说,涉及变更符号背后的言语行为范式,造成注意力的转移,调整言语行为与行为语言的张力结构,它将重构人的感觉配置,重塑人的感官,制造文学艺术发展过程中的重大事件。All symbols are constructed through speech act and behavior language,and can ultimately be interpreted by their interplay.A deep understanding of three different systems of symbols,namely,speech act,behavior language,and other symbols,leads to a reasonable explanation of literature and art.Changes in symbolic conventions are the direct cause of evolutions in literary and artistic styles.When the changes involve the concept and the system of literature and art,that is,involving changes in the paradigm of speech acts behind symbols and lead to the reconfiguration of the tension between speech acts and behavior language,they would reconstruct people’s sensory configurations,reshape people’s sensation,and give rise to important events in the development of literature and art.

关 键 词：文学艺术 符号 文化惯例 感觉配置 

分 类 号：I0[文学—文学理论]