现代艺术观念的完成形态与解体预言——重释黑格尔《美学讲演录》  

The Completion and Disintegration of Modern Artistic Notion——A Re-examination of Hegel's Vorlesungenüber dieÄsthetik

作　　者：陈新儒 Chen Xinru(College of Chinese Language and Literature,Fujian Normal University)

机构地区：[1]福建师范大学文学院

出　　处：《美学与艺术评论》2022年第2期20-34,275,共16页Journal of Aesthetics and Art Review

基　　金：教育部人文社科青年项目“德国前古典美学中的文艺问题研究”(项目号:22YJC751006)的阶段性成果

摘　　要：作为德国古典美学的集大成者,黑格尔的《美学讲演录》在现代意义上的艺术观念生成过程中为其完成形态打下了深厚根基。通过从以绝对精神为核心的哲学体系出发的辩证演绎,黑格尔将美与艺术视为一对同义替换的概念,不仅由此建立了本体论意义上的艺术哲学,而且动态地赋予各门艺术自身所处的历史位置。但在回答艺术自身地位这一问题时,黑格尔暴露了自身体系无法克服的缺陷,并做出了艺术终将“解体”的预言。《美学讲演录》对今日的艺术观念依然具有很大影响力,无论是其贡献还是其局限性,都应站在新语境中进行再思考。Hegel's Vorlesungenüber dieÄsthetik,a comprehensive work of German classical aesthetics,settled the completion of modern notion of art during the process of its generation.It takes beauty and art as a synonym through the dialectical deduction from his philosophical system of“Absolute Geist”,which builds the ontological philosophy of art and dynamically gives historical positions of each art.However,the flaw of Hegel's system that cannot be overcome by itself as he answers the questions of the status of arts,which leads to the prophesy of the“disintegration”of art.It is of necessity to rethink this book from the contribution,as well as the limitation,in a new context due to its huge influence to today's notion of art.

关 键 词：黑格尔 《美学讲演录》 现代艺术观念 西方美学史 

分 类 号：J01[艺术—艺术理论] B83-0[哲学宗教—美学]