民间立场、政治话语与国家认同——以红色歌曲《东方红》的成型与传播为考察中心  

Folk Position,Political Discourse and National Identity——Take the Formation and Dissemination of the Red Song Dong Fang Hong as an Example

作　　者：牛宏程 段友文[1] Hongcheng NIU;Youwen DUAN(Shanxi University)

机构地区：[1]山西大学文学院

出　　处：《马克思主义美学研究》2023年第1期108-123,441,共17页Research on Marxist Aesthetics

基　　金：国家社科基金重大项目“山陕豫民间文化资源谱系与创新性发展的实证研究”(19ZDA185);教育部哲学社会科学研究后期资助项目“二十世纪文学的民俗文化研究”(19JHQ036)阶段性成果

摘　　要：原生态的陕北民歌是陕北地区广大劳动人民群众集体记忆的直观呈现。随着社会变迁与政治力量的介入,陕北民歌也发生了相应的变化,成为一种兼具民间/政治双重属性的意识形态。本文基于审美意识形态理论,以民间/政治为二元视角,梳理了《东方红》的演变传播历程,探讨了民间资源与政治意识形态融通共生的内在机理,分析了《东方红》的国家认同构建路径。The original folk songs of northern Shaanxi are an intuitive representation of the collective memory of the working people in northern Shaanxi areas.With the social changes and the intervention of political forces,the folk songs in northern Shaanxi have also undergone corresponding changes,becoming an ideology with dual attributes of“folk politics”.Based on the aesthetic ideology theory,this paper summarizes the evolution and dissemination of Dong Fang Hong from the perspective of“folk politics”,discusses the internal mechanism of the integration of folk resources and political ideology,and analyzes the construction path of national identity of Dong Fang Hong.

关 键 词：民间立场 政治话语 国家认同 《东方红》 

分 类 号：J605[艺术—音乐]