自由间接引语与构建“缺失着的人民”——德勒兹论艺术创作的原则及政治使命  

Free Indirect Discourse and the Constitution of the Missing People:Deleuze on Principles and Political Functions of Artistic Creation

作　　者：胡新宇[1] Xinyu HU(Nanjing University)

机构地区：[1]南京大学文学院

出　　处：《马克思主义美学研究》2022年第2期221-230,472-473,共12页Research on Marxist Aesthetics

摘　　要：以巴赫金和帕索里尼等人的相关理论为基础,德勒兹对艺术创作中自由间接引语的运用做出深刻的论述。在他看来,自由间接引语揭示出语言的权力本质及其集体属性,自由间接引语中包含的陈述主体与陈述中主体的关系则是主体性构建与消解的关键,并导致两种主体的“双重生成”。正是在生成的意义上,自由间接引语成为包括作家、电影导演、画家等在内艺术创作的原则,更重要的是,相对于唤起既存人民的“觉悟”这一传统马克思主义意义上艺术创作的政治职能,现代艺术构建“缺失着的人民”的使命也是在自由间接引语的话语行为中完成。德勒兹的观点也为我们关于人民性美学的思考提供了新的启发。According to Deleuze,language is closely related to power.It can only be conceived as a collective agencement.Both of these characters are manifested in the application of free indirect discourse.Furthermore,the relationship between sujet d'enonce and sujet d'enonciation implied by free indirect discourse constitutes the process of subjectivation.However,this process inevitably leads to a danger that we have to substitute becoming for subjectivation.Thus,free indirect discourse as double becoming has developed into a principle of artistic creation,affecting the work of writers,filmmakers and artists.In addition,the political function of artistic creation--the construction of missing people--is also realized in discourse act of free indirect discourse.

关 键 词：自由间接引语 陈述主体 陈述中主体 双重生成 人民性美学 

分 类 号：I04[文学—文学理论] J04[艺术—艺术理论]