后革命视域中南斯拉夫文艺重建与现实关联的尝试  

A Post-revolution Perspective Study on the Attempt of Yugoslavia Literature and Art to Reconstruct the Relation with the Reality

作　　者：张成华[1,2] Chenghua ZHANG(South China Nornal University)

机构地区：[1]华南师范大学文学院 [2]华南师范大学审美文化与批判理论研究中心

出　　处：《马克思主义美学研究》2022年第2期212-220,472,共10页Research on Marxist Aesthetics

基　　金：广东省哲学社会科学学科共建项目“南斯拉夫社会主义现代主义文论思想批评研究”(GD18XZW06);国家社科基金青年项目“南斯拉夫马克思主义文艺理论批评研究(1945—1989)”(19CZW004)阶段性成果

摘　　要：从第二次世界大战结束一直到1948年,南斯拉夫文艺界一直为一种革命话语所统摄;文学艺术被征用以证明某种政治立场的正确。这种征用既不考虑文艺本身的独特性,又将文艺与现实隔绝开来。基于文艺的独特性诉求,南斯拉夫在1970年代的新艺术实践以及1980年代的后现代主义文艺创作一方面将文艺看作重新理解现实的手段,另一方面又通过自身的实践与革命的同质化、一体化话语体系形成对照和张力关系,并参与进对现实权力体系的重塑中。根据马克思主义的艺术生产理论,文学艺术作为人的实践活动,一方面有其自身独特的规定性,另一方面又基于自身独特的规定性生产着现实的精神产品并参与进现实的进程中。After the end of World WarⅡand the break with the Soviet Union in 1948,circle of literature and art in Yugoslav were still dominated by a revolutionary discourse;Literature and art were used to prove the correctness of certain political positions.This kind of expropriation not only ignored the particularity of literature and art,but also isolates literature and art from reality.Based on the uniqueness of literature and art,Yugoslavia's New Art Practice in the 1970s and postmodernist literary creation in the 1980s regard art as a means to re-understand reality.And also,literature and art form a contrast and tense relation with the homogeneous and integrated discourse of revolution through their own practice and thus participate in the reshaping process of actual power system.According to Marxist theory of art production,literature and art,as human practical activities,have their particular stipulations on one hand,and produce realistic spiritual products based on their own particular stipulations and participate in the course of reality on the other hand.

关 键 词：南斯拉夫 后革命 文艺 现实 

分 类 号：I0[文学—文学理论]