论王元骧审美意识形态论的独创性  

On the Originality of Wang Yuanxiang’s Aesthetic Ideology

作　　者：范永康[1] Fan Yongkang(Shaoxing University)

机构地区：[1]绍兴文理学院人文学院

出　　处：《马克思主义美学研究》2020年第2期-,共15页Research on Marxist Aesthetics

基　　金：国家社科基金重大招标项目“马克思主义经典文艺思想中国化当代化研究”(项目编号:17ZDA269)阶段性成果

摘　　要：王元骧是国内审美意识形态论的倡导者之一,但是,他对"审美""意识形态"以及二者之间的融合方式的理解不同于钱中文、童庆炳,也不同于西方马克思主义文论家。王元骧从"审美反映论""文学价值(实践)论""文学本体论"等多层视角,阐发出"审美意识形态"的审美性、价值性、实践性、人文性,建构出具有代表性的当代中国化马克思主义文学本质观。王元骧的审美意识形态论具有独异性、独创性,为创建当代中国马克思主义文艺理论体系做出了重要贡献。Wang Yuanxiang is one of the advocators of aesthetic ideology in China.However,his understanding of"Aesthetics","ideology"and the way of integration between them is different from Qian Zhongwen and Tong Qingbing,and also different from Western Marxist literary theorists.From the perspectives of"aesthetic reflection","literary value(practice)"and"literary ontology",Wang Yuanxiang expounded the aesthetic,value,practicality and humanity of"aesthetic ideology"and constructed a representative contemporary Marxist literature essence with Chinese characteristics.Wang Yuanxiang’s theory of aesthetic ideology is unique and original,which has made an important contribution to the establishment of Marxist literary theory system in contemporary China.

关 键 词：王元骧 审美意识形态论 马克思主义中国化 

分 类 号：I01[文学—文学理论]