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作 者:刘培[1]
机构地区:[1]山东大学儒学高等研究院,山东济南250100
出 处:《山西大学学报(哲学社会科学版)》2012年第3期81-90,共10页Journal of Shanxi University(Philosophy and Social Science Edition)
基 金:教育部新世纪优秀人才支持计划(NCET-10-0520);山东大学自主创新基金项目<两宋赋史>(IFW09064)
摘 要:理学确立了一种新的审美理想,它给古代文人崇尚的出世之趣注入了匡时济俗的内涵,塑造了一种醇和淡雅的情调,南宋后期的辞赋,则深受这种审美理想的影响,展示了一幅幅恬静温馨的社会图画。道德至上的理学思想排斥调笑和谐趣,这使得辞赋固有的娱乐精神被排斥,辞赋趋向于严正庄肃的情感基调。场屋诗赋格法,古文评点,为读书人提供了一整套科考为文的规范。因此辞赋行文趋于拘谨,气势内敛,表现出整饬规矩的辞章特色。南宋后期,是辞赋转变的一个关键时期,是辞赋行文上趋于古文、审美情感上趋于理学道德观的一个转变时期。Neo-Confucianism had established new aesthetic ideals,which accorded new connotations of rescuing the worldly society to isolated pleasure advocated by ancient scholars,and established a mellow and elegant sentiment.CiFu in last Southern-Song Dynasty was greatly influenced by this esthetic ideals,Presenting a quiet and warm social picture.Neo-Confucianism with moral as superiority excluded fun and humor,and made Cifu's inherent entertainment spirit to be excluded,tending to be a serious emotional tone.CiFu's writing rules in Imperial Examination and comment on ancient writings offered scholars a complete specification of the imperial examination.So CiFu intended to be reserved and implicit,characterized by neat and rule-abiding style.Late Southern-Song Dynasty is a critical period of CiFu's transition,a turning point of CiFu writing tending to ancient writings and Neo-Confucianism morality aesthetically.
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