敦煌讲唱文学语言审美追求  

Aesthetic Pursuit in Language of Dunhuang Oral Literature

作　　者：汪泛舟 

出　　处：《敦煌研究》1992年第2期48-53,122,共7页Dunhuang Research

摘　　要：敦煌讲唱文学作品,是敦煌文学里极富特色的部分。它有近200个写、印本,包括着变文、讲经文、押座文、因缘、词文、话本、俗赋等诸多体制,并流行于敦煌地区的初唐至北宋这一历史时期。这些讲唱文学作品,尽管有篇幅较短的押座文和以通俗语言演绎佛经的讲经文,以及以编织故事情节与刻划人物见常的变文、因缘、词文、话本、The artistic charm of Dunhuang oral Literature was the result of aesthetic pursuit in Language and represented in the prose and verse. Besides use of means of exaggeration, metaphor, repeated words, the parenthesis, pun and aphorism all appeared in Dunhuang prose. The poems containing six characters and poems with three rhyme or double rhyme found in verses showed aesthetic perception in rules and forms of classical poetie composition of the Language. The certain tuncs of Ci Poems of 'Shen Yuan Yue Mei Shao Nian Di Yi Ti' and 'Zhe Gu Tian' which were the subsequent forms of poems also could be found in Dunhuang verse.

关 键 词：讲经文 敦煌地区 敦煌讲唱文学 目连变文 俗语言 佛经 降魔变文 北宋 语言审美 敦煌文学 

分 类 号：K870.6[历史地理—考古学及博物馆学]