中国传统竹藤家具的设计美学  

The Design Aesthetics of Traditional Chinese Bamboo-Rattan Furniture

作　　者：孙巍巍[1] 李德君[1] 

机构地区：[1]佳木斯大学机械工程学院,黑龙江佳木斯154007

出　　处：《竹子研究汇刊》2014年第1期52-58,62,共8页Journal of Bamboo Research

基　　金：教育部人文社会科学研究青年项目"基于符号学理论的明清家具及其传承的研究"(12YJC760038)阶段性成果;黑龙江省哲学社会科学研究规划项目"清代北京民居室内格局与陈设及其传承研究"(12E066)阶段成果;佳木斯大学人文社会科学研究重点项目(WZ2012-004;WZ2012-006)阶段性成果

摘　　要：中国传统竹藤家具虽未象明清硬木家具那样被世人推崇,但我们却不能忽视它在中国家具史上的地位,从某种角度来说,它启发和推动了中国传统硬木家具的发展和进步,以至于在明清硬木家具中出现了许多仿竹家具的例子。当我们以现代设计美学的角度考察中国传统竹藤家具时,会发现它承载着中国传统家具设计美学的演变过程,并体现着现代设计美学的多种形式与功能美感,更为重要的是它蕴涵了设计美学中深层次的美——文化之美,即中国的竹文化艺术。Traditional Chinese bamboo-rattan furniture has an unnegligible position in the history of Chinese furniture,although it has not been praised as highly as hardwood furniture in the Ming and Qing dynasties.To some extent,it has even inspired and promoted the development of traditional Chinese hardwood furniture so that there appeared a lot of bambooimitation hardwood furniture in the Ming and Qing dynasties.From the perspective of modern design aesthetic,traditional Chinese bamboo-rattan furniture embodies the design aesthetics of traditional Chinese furniture,reflects the rich forms and functions of modern design aesthetics,and contains the deep beauty of the bamboo culture.

关 键 词：中国家具 竹藤家具 设计 审美 

分 类 号：TS664[轻工技术与工程]