两极对照下劳伦斯《公主》的文本建构  

The Composition of D.H.Lawrence's "Princess":the Contrasts between Two Poles

作　　者：汪志勤[1] 

机构地区：[1]华东理工大学外国语学院

出　　处：《英美文学研究论丛》2010年第2期116-128,共13页English and American Literary Studies

摘　　要：在中篇小说《公主》中劳伦斯似乎有意使人物和事件周旋于神话和现实世界。此文旨在以各种批评视角以及劳氏的"自然人"和"社会人"的观念来阐释劳氏何以以两极之对照的创作手法,即神话与现实、写意与写实、反讽与悲剧、自然人与社会人等,来构建此小说的文本。文章以此来读解小说中摇摆于两极之间的科林父女异化的生存状态,以揭示劳氏将罗美罗的悲剧置于他与公主的关系中的意义。In his novelette The Princess,D.H.Lawrence seemed to willfully get his characters and their actions involved in both mythology and reality. Via various critical points of view and Lawrence's jargons 'natural individual' and 'social individual',this thesis is aimed at expounding how Lawrence constructed the text by means of the contrasts between two poles,i.e.mythology and reality,subjective and objective treatments of the matter,irony and tragedy, natural individual and social individual,etc.Thus,the alienation in which Colin Urquhart and his daughter lived and how they vacillate between the two poles,and the sense of setting Romero's tragedy in his relation with the princess will be excavated.

关 键 词：两极之对照 异化 神话与现实 自然人与社会人 反讽与悲剧 

分 类 号：I731[文学—其他各国文学]