中国陶瓷文化范式构建研究  

Study on the Construction of Chinese Ceramic Cultural Paradigm.

作　　者：练崇潮[1] 

机构地区：[1]景德镇陶瓷学院,江西景德镇333403

出　　处：《河南社会科学》2014年第12期92-95,124,共5页Henan Social Sciences

基　　金：2012年江西省社科规划基金项目(12ZX15);2014年江西省高校人文社会科学规划基金项目(ZX1403)

摘　　要：在全球凸显文化软实力背景下探索与构建传统文化范式业已成为我国文化研究领域的一项紧迫任务。开展传统文化范式研究,对于弘扬民族文化,提升我国文化软实力意义重大。传统文化范式的构建,从对托马斯·库恩提出的范式概念理解与审视的基础上来谈文化的话题,进而从传统文化的反常与危机中谈及文化民族性的重要性;而传统文化恰恰具有此种特征。陶瓷文化是我国特有的文化种类,是民族文化的"胎记",拥有传统文化的基因,并得以良好传承下来;而传统文化范式所遵循的共同信念——民族的、科学的、大众的文化正回应了这一诉求;传统文化范式应具有的共有的"模式"或"模型"——传统文化理论范式、传统文化研究范式和传统文化学科范式。To highlight the cultural soft power in the global context of exploration and construction of traditional cultural paradigm has become an urgent task of the cultural research field of our country.Research of traditional cultural paradigm,for carrying forward the national culture,the great significance of cultural soft power promotion in china.Construction of traditional culture from the concept of paradigm,paradigm proposed by Thomas Kuhn to understand and review the basis on cultural issues,and then from the anomaly and crisis of traditional culture about the importance of cultural nationalism.But the traditional culture has such characteristics.Ceramic culture is China's unique cultural types,the birthmark of the national culture,with traditional culture gene,and the inherited.And follow the traditional cultural paradigm common belief——national,scientific,popular culture is to respond to this appeal.The traditional paradigm of culture should have the common mode or model——the traditional culture,the traditional theoretical paradigm of cultural research paradigm and traditional culture of discipline paradigm.

关 键 词：范式 文化 传统文化 陶瓷文化范式 

分 类 号：J7[艺术—舞蹈]