从《才调集》复古诗体的功能结构看晚唐五代诗学思潮  

An Investigation of the Late-Tang Poetics Through the Functional Structure of the Retro Poetic Styles in “ Talent and Taste Anthology”

作　　者：张一南[1] 

机构地区：[1]中国社会科学院文学研究所

出　　处：《文艺理论研究》2015年第1期139-148,共10页Theoretical Studies in Literature and Art

摘　　要：《才调集》中的复古主要是复齐梁之古。《才调集》中的复古文体包括宫体五律(含排律、齐梁体)、古体乐府(含五绝)和歌行。三类文体在功能上有较为明确的分工,五律体物,乐府缘情,歌行介于二者之间。《才调集》中的复古文体在功能上构成了一个完整的系统,这个系统排斥了典型的中唐后期文体,呈现出一种迥异于中唐后期的审美。《才调集》因而集中体现了晚唐五代反叛中唐后期诗学系统的文学思潮。The retro style in the Tang poetry collection Talent and Taste Anthology( Cai Diao Anthology) mainly refers the imitation of the poetic styles in the ancient Qi and Liang. The retro style showed in the poetic forms of courtly five-character regulated poems( including extended form and Qi-Liang form),music bureau form( including quatrain) and ballad forms. This style has respective functions,with five-character regulated poems focusing on objects,music bureau forms on emotions and ballad forms on both. It may be said that the retro style in the Talent and Taste Anthology had constructed a relatively complete system of functions,which excluded the style developed after the Mid-Tang. The paper concluded that the aesthetics showed in the Talent and Taste Anthology were drastically different from the late Mid-Tang period and reflected the aesthetic trend in the literary thought in the late Tang and Five Dynasties.

关 键 词：《才调集》 体物 缘情 文体 

分 类 号：I207.22[文学—中国文学]