文学创作的历史惯性与文学批评的历史惰性  

The Historical Inertia of Literary Creation and the Inactivity of Literary Criticism

作　　者：张家恕[1] 

机构地区：[1]重庆师范大学文学与新闻学院,重庆400047

出　　处：《中国文学研究》2004年第3期27-29,共3页Research of Chinese Literature

摘　　要：文学创作的历史惯性和文学批评的历史惰性 ,成为文学史行进的两大奇观。研究文学创作的历史惯性 ,有几个方面很有意义。一是文学的本体性品格使其实现跨文化、跨时空的历史进化与历史互动 ;二是作家的艺术观的恒定与坚执 ,成为文学惯性滑行的强大驱力 ;三是文学市场的多元取向使文学进入无限的流通和传播。文学批评的即时性和文学研究的滞后性 ,是文学批评的历史惰性的重要症结。建立自己的批评话语系统 ,是形成文学创作与文学批评良好的生态关系的重要前提。It is significant to take into account the historical inertia of literary creation and the inactivity of criticism,which can be studied in three aspects.Firstly,the ontological essence of literature enable itself to realize the historical intercultural evolution and interaction over the spatial-temporal limits. Secondly, the artists persistence of their aesthetic concepts forcefully motivates the inertial movement of literature. Thirdly, the pluralistic orientation ofliterary market results in the unlimited communication of literature.The historical inavtivity of literary criticism lies in the immediateness of literary criticism and the hysteresis of literary study. The premise of a good ecological relation between literary creation and literary criticism lies in the establishment of a discourse system for our criticism.

关 键 词：文学创作 文学批评 现实主义 审美意识 

分 类 号：I06[文学—文学理论]