论意境内涵的层次结构  

On the Hierarchy of Artistic Conception of Yi Jin

作　　者：林衡勋[1] 

机构地区：[1]湛江师范学院中文系,广东湛江524048

出　　处：《江苏大学学报（社会科学版）》2004年第5期15-18,共4页Journal of Jiangsu University(Social Science Edition)

摘　　要：从王国维意境"深浅"说和宗白华意境"境层"说可以确认意境内涵结构应包括:情景交融、象外言外和"进乎道"等三个层次。情景交融是意境内涵结构的基础层次,象外言外为第二层次,最高层次为"进乎道"层次。在这一最高层次,文学艺术意境之道与哲学之道相通为一,从而文学与哲学也相通为一。这三个层次既表现为不同作品意境创造上存在的横的关系,又表现为一个逐级升华的纵的完整的审美过程。This paper, inspired by Wang Guowei's Sense of Propriety and Zong Baihua's idea of hierarchy, tries to confirm that the hierarchy of the conception of Yi Jin——artistic vision should include three aspects: the inseparability of mood and circumstance, the implied meanings, and the approach to Tao, with the first as the base, the second as the intermediate level and the third as the highest. On the highest level, the Tao of the Yi Jin for literature is the same as the Tao of philosophy, so literature and philosophy are inseparable. These three aspects are shown in the horizontal relationship of Yi Jin of different works as well as an upward aesthetic process.

关 键 词：意境 结构 情景交融 象外言外 “进乎道” 

分 类 号：I206[文学—中国文学]