关于中国古代文学理论体系的构想  

Ancient Chinese Literary Theory System

作　　者：林衡勋[1] 

机构地区：[1]湛江师范学院人文学院,广东湛江524048

出　　处：《湛江师范学院学报》2004年第4期18-21,共4页Journal of Zhanjiang Normal College

摘　　要：建构中国文论体系必须注意三点:一是中国文论体系的建构必须"接着"刘勰《文心雕龙》等中国文论的优秀传统"讲",二是要体现现当代精神,就要以西方现当代相应的文论体系框架为参照,三是要遵循康德关于体系建构的原则,即"我们所谓的体系,是指许许多多的知识种类在一个理念下的统一性"。中国古代文论体系建构从"纲"角度讲,可以构想为一个以"道"、"圣"、"文"、"观文者"四范畴为纲的纲目性体系,并为"道"所统一的贯通性结构。To construct the Chinese literary theory system, we should take three things into consideration: (1) to be based on such classical Chinese approaches as Liu Xie's in his Carving a Dragon at the core of Literature; (2) to reflect the spirit of the present times, namely, take for reference the corresponding present Western literary theory system; and (3) to follow Kant's system-constructing principle, i.e. 'the so-called system refers to the unity of various kind of knowledge subject to one concept'. Therefore, the ancient Chinese literary theory system can be conceived as a detailed outline framework based on Tao (philosophical and moral principles of a text), Sheng, Wen (writing), and Reader—— a coherent framework unified by Tao.

关 键 词：中国文论体系 道 圣 文 观文者 

分 类 号：I0-02[文学—文学理论]