席勒的艺术美形式原理与“对象化”  

A Study of Schiller's Principles on Form of ArtisticAesthetics and "Target-Oriented" Theory

作　　者：王君[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430073

出　　处：《武汉职业技术学院学报》2003年第1期37-39,共3页Journal of Wuhan Polytechnic

摘　　要：马克思主义美学和席勒美学之间 ,存在着很值得深入研究的批判继承的关系。在席勒的艺术美形式原理中已有了马克思“对象化”理论的萌芽。本文从马克思的“对象化”理论和席勒的艺术美形式原理出发 ,寻找两者的必然联系 ,运用“对象化”理论对席勒的艺术美形式原理作进一步的阐释 ,并试图用席勒的艺术美形式原理来解释现实主义绘画中的某些现象。This article states tha there is something shared by both Maxism's and Schiller's aesthetics worth comprehensive studying. Based on Max's' target-oriented'theory,this article is trying to interpret Schiller's principles on form of artistic aesthetics as well as some phenomena in realistic arts and paintings,with studying on the connection of Schiller's humanism and aesthetics.

关 键 词：席勒 艺术美形式原理 对象化 马克思主义美学 艺术表现形式 意象 

分 类 号：J01[艺术—艺术理论]