探讨写意重彩画  

An Inquiry into the Thick Color Expressive Chinese Paintings

作　　者：戴少龙[1] 

机构地区：[1]湖北美术学院

出　　处：《湖北美术学院学报》2003年第1期30-31,共2页Hubei Institute of fine Arts Journal

摘　　要：在我的写意重彩画中,那些比例失常的人物纠缠在一起,成为我精神之弈的棋子,在超然的状态下我努力切入内心的自我,这里才会找到真实的世界。眼里看到的到是虚妄。构图密集而虚和。在色层上反复叠加,既厚重又古朴,充分发挥肌理效果,又保持书写性。in my thick color expressive Chinese paintings, these disproportioned figures entangle together and become the chessmen of my chess game. I make great efforts pitching in, sneaking into the inner self under the detached state and find the true world there. The compositions are concentrated, colors overlapping, thick and unsophisticated giving a full play to the skin texture effect while keeping the writing property of the brush movements.

关 键 词：写意重彩画 水墨画 文人画 艺术精神 绘画材料 艺术风格 

分 类 号：J212[艺术—美术]