古典诗歌创作“以无为有”的三种审美范型  

Three aesthetic patterns of"Taking nil as existence"in creation of classical poetry

作　　者：涂承日[1] 

机构地区：[1]洛阳工业高等专科学校社会科学系,河南洛阳471003

出　　处：《信阳师范学院学报（哲学社会科学版）》2004年第6期87-91,共5页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)

摘　　要：从宏观的视角来考察,古典诗歌创作"以无为有"的审美内涵并不局限于言、意关系上的"无辞有意",其审美范型主要表现在三个方面:"无言而妙"、"无迹而神"和"无理愈佳"。To investigate the creation of classical poetry from the macroscopic angle, the aesthetic intension of 'taking nil as existence' is not confined to 'no wrds but meaning implied' on the relation of words and ideas. The aesthetic pattern is mainly shown in the following three aspects: 'no words but wonderful', 'Inisibility but magical' and 'no reason but better'.

关 键 词：古典诗歌 以无为有 审美范型 

分 类 号：I206.2[文学—中国文学]