美学:走向跨文化的对话与整合  

Aesthetics:Marching into Cross-cultural Dialogue and Cooperation

作　　者：詹七一[1] 

机构地区：[1]昆明大学社会科学系,云南昆明650118

出　　处：《西北师大学报（社会科学版）》2005年第1期109-113,共5页Journal of Northwest Normal University(Social Sciences)

摘　　要：在主客体二元对立转化为主体间对话的哲学文化背景中 ,当代美学研究面临着中西方通过对话走向整合的趋势。在美学对话的重建与可能性基础上 ,通过中西美学异质性与互补性的比较 ,有助于发现中国传统美学的现代性前景并克服近代以来西方美学的独断与形而上学 ,从而在跨文化整合的基础上建构当代中国美学。In the background of change from antagonistic relations between subject and object into dialogue between two subjects,modern aesthetic research is faced with the tendency that China and the West seek for cooperation through dialogue.This paper holds that the comparison of difference and generality between China and the West on the basis of feasibility to rebuild aesthetic dialogue can benefit to discover the modern prospects of Chinese traditional aesthetics and to eliminate the arbitrary and metaphysics of the Western aesthetics since the beginning of modern times so as to establish modern Chinese aesthetics through cross-cultural cooperation.

关 键 词：中国美学 西方美学 跨文化 对话 整合 

分 类 号：B83-0[哲学宗教—美学]