中国当代诗歌的基本走向和前沿思考  

General Trend and Forward Thought about Chinese Contemporary Poetry

作　　者：熊国华[1] 

机构地区：[1]广东教育学院中文系,广东广州510310

出　　处：《广东教育学院学报》2005年第1期40-43,共4页Journal of Guangdong Education Institute

摘　　要：中国当代诗歌与政治、经济、文化、教育、社会诸问题联系紧密,其基本走向大致可分为三个阶段:20世纪50年代、60年代至70年代末是“以政治为本”的诗歌;80 年代至 90 年代是“以语言为本”的诗歌;进入21世纪以来转向“以人为本”的诗歌。多元共存、兼容自由、关注人性和生态环境,已日渐成为中国当代诗歌的价值取向和审美追求。Chinese contemporary poetry is closely linked with politics, economy, culture, education and other social problems. Its general trend can be described in three phases: politics-oriented in the 50s, 60s and 70s; language-oriented in the 80s and 90s; human-oriented in the 21th Century. Pluralism, coexistence, liberation, compatibility and emphasis on humanity and eco-environment have gradually become the value orientation and aesthetical pursuit of Chinese contemporary poetry.

关 键 词：中国当代诗歌 审美追求 人性 三个阶段 语言 自由 年代 政治 教育 价值取向 

分 类 号：G633[文化科学—教育学] I227[文学—中国文学]