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作 者:戴微[1]
机构地区:[1]上海音乐学院,上海200031
出 处:《浙江艺术职业学院学报》2004年第4期6-12,共7页Journal of Zhejiang Vocational Academy of Art
摘 要:自南宋浙派以降 ,在人文环境优越的江浙地区出现了一个又一个古琴流派 ,其中虞山派、广陵派这两个众所周知的代表性琴派均出自吴地。而在琴派处于相对较弱发展态势的浙地 ,不容忽视的是 ,明代的绍兴琴派也曾经兴盛一时。为此 ,笔者就绍兴的地理人文环境、该地琴人的师承关系、两本琴谱的内容 ,以及更重要的是谱本中所承载的诸如琴曲结构、指法特点等信息 ,对绍兴琴派进行历史的考查。Since guqin of Zhe school turned up in the Southern Song dynasty, there have been many other guqin schools in Jiangsu and Zhejiang provinces under favorable cultural circumstances, among which the well known Yushan and Guanglin schools were both born in Jiangsu Province. Meanwhile, we cannot neglect the fact that in Zhejiang Province guqin of Shaoxing school used to be prosperous in the Ming dynasty. For this, the author gives a historical exploration to guqin of Shaoxing school from both the geographical and cultural circumstances of Shaoxing, studying the inheritance of those guqin players, contents of the two given music scores of guqin,and particularly some contents in the music score, such as the melody structure, features of fingering and so on.
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