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作 者:吴文光[1]
机构地区:[1]中国音乐学院,北京100101
出 处:《浙江艺术职业学院学报》2003年第3期37-42,共6页Journal of Zhejiang Vocational Academy of Art
摘 要:邱之在 1 835年出版的《律音汇考》一书是一本有关诗经乐谱的著作 ,它除了对宋传《唐开元风雅十二诗经乐谱》进行了一字多音的实验性总结外 ,还在书中附有律吕谱和琴瑟演奏谱。是今天研究诗经乐谱的重要文献材料。但是由于邱氏在书中根据康熙《律吕正义》的律吕命名体系来改写乐谱 ,使得律名与音名的关系变得相当紊乱 ,无法用传统的观念进行解释。本文旨在厘订邱氏律名与音名的对应 ,从而明确古琴定弦法。另外 ,笔者还对邱氏对诗经乐谱的润腔以及传统诗经乐谱的演唱方法进行了评述。Collected Investigation of Temperament, published in 1835,is a masterpiece and an important reference book by Qiu Zhilu on music scores of The Book of Songs. It not only experimentally summarizes the polyphony of Twelve Music Scores of The Book of Songs in Feng and Ya Sections in Kaiyuan Period of the Tang Dynasty handed down from the Song dynasty,but also includes music scores of lvlv, a series of 12 bamboo pitch_pipes used in ancient music, and playing scores of qin and se, two stringed musical instruments. However, the relationship between lvlv temperament and musical alphabet in his book is quite confused and difficult to explain with traditional conception due to Qiu's adaptation of music scores according to the lvlv nomenclature in Recitified Interpretation of Lvlv of the Reign of Emperor Kangxi.This article aims at corresponding Qiu's lvlv temperament to musical alphabet and defines the rule of guqin's tuning.In addition, the method of moistening voice in music scores of The Book of Songs and its traditional singing method are commented.
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