从潘金莲形象的演变看女性思潮的变迁  

Through the Figural Transition of PAN Jin-lian to the Thinking Variance on Women

作　　者：高惠娟[1] 王敏[2] 

机构地区：[1]河南公安高等专科学校编辑部,河南郑州450044 [2]商丘职业技术学院,河南商丘476000

出　　处：《商丘职业技术学院学报》2005年第1期40-42,共3页JOURNAL OF SHANGQIU POLYTECHNIC

摘　　要：由《水浒传》中的“荡妇”到《金瓶梅》中的“荡妇、妒妇加悍妇”,再到电视剧中为了追求理想爱情步入歧途的良家妇女,潘金莲的形象有了很大的跃迁。人物形象的这种演变不是无本之木,而是受女性观念和文学思潮的影响。因为文学作品和文学形象展示着来自历史深处的皱褶,透露出超个体之外的时代变迁的律动,让观者能够看到一个更为宽泛宏阔、多维多元,更具社会现实意义的文本世界。It is a prodigious transition of the image of PAN Jin-lian that she,'a vamp' in the original work Outlaws of the Marsh, was depicted as 'a jealous vamp and shrew' in the book Jin Ping Mei and was further created as 'a gentlewoman' who fell into a wrong path in the pursuit of ideal love in the TV series Outlaws of the Marsh. Such figural transition did not come up groundlessly, it was rootedly under the influence of the conception against the weaker sex and the literary thoughts. The theory under it is that literary works and figures have always been giving a full display of history,have always been reflecting the changes of times beyond individuals,and have been enabling audience to reach a vision of a broad,multidimensional and realistic literal world.

关 键 词：潘金莲形象 悍妇 为文 文学思潮 《金瓶梅》 文学作品 文学形象 历史 多元 律动 

分 类 号：G633[文化科学—教育学] I207[文学—中国文学]