长歌当哭,寓悲于闲——晚唐送人赴任诗情感探微  

Leisure—The Deepening of Sadness

作　　者：张志全[1] 

机构地区：[1]重庆师范大学文学与新闻学院,重庆400047

出　　处：《西南交通大学学报（社会科学版）》2005年第2期69-71,共3页Journal of Southwest Jiaotong University(Social Sciences)

摘　　要：送人赴任之作,在唐代别离诗中占有相当大比例。盛唐人的这类诗歌,往往忽略了别离之伤情。反之,晚唐却固囿于这一伤情,并将此进一步深化,深化的结果,就是诗歌中闲情的泛滥。这不是偶然的,而是晚唐文人大范围接受佛道思想的必然结果。The theme of poetry about seeing off someone going to his post dominates a great proportion of all poems in Tang Dynasty. In the prime of Tang Dynasty, this sort of poems seldom showed sadness which resulted from intimate's parting, while in the late Tang Dynasty, the strong sadness was often reflected in poems, and this kind of tragic consciousness of sadness went further and turned into the overflow of leisure mood in poems. This phenomenon was not haphazard but the inevitable result of the acceptance of Buddhism and Daoism by most of the scholars in the late Tang Dynasty.

关 键 词：晚唐 诗歌 别离 诗情 盛唐 长歌 忽略 唐人 大比例 情感 

分 类 号：I207.22[文学—中国文学]