六书与汉字构形  

Liushu and the Topography of Chinese Characters

作　　者：陈顺芝[1] 

机构地区：[1]江西师范大学文学院,江西南昌330027

出　　处：《江西师范大学学报（哲学社会科学版）》2005年第2期46-49,共4页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

摘　　要：汉字构形的分析研究,历来都将许慎的六书作为依据和准则。从汉字表意的特点入手来探讨六书与汉字构形的关系,可发现六书包含了汉字构形的两个方面:一是汉字形体构造的类别,二是造字的方法。象形、象声、形声是汉字形体构造的三种类型,转注、假借是造字的方法,二者不在一个层面上。形声字是象形字与象声字的结合体,代表了汉字构形表意发展的方向。We always regard Xushen's Liushu as the basis and criterion on the analysis and research of the topography of Chinese characters. Proceeding with the characteristic of the meaning-symbol, this text probes into the relation between Liushu and topographies of the Chinese characters.It thinks Liushu concludes two respects of topography of Chinese characters: One is the classification, the other is the method to make word in physique of Chinese characters. Pictograph, onomatopoeia, ideophone are three kinds of the construction on topography, while metaideophone , the use of making similar examples are two methods to make word. The two are not on the same aspect. The ideophone character is the combination of the pictographic character and onomatopoeia character, and it expresses the direction of development on topography of Chinese characters.

关 键 词：六书 汉字构形 许慎 形体构造 

分 类 号：H122[语言文字—汉语]