天才的萨克雷与永恒的《名利场》  

W. M. Thackeray the Genius and the Eternal Vanity Fair

作　　者：董靖历[1] 

机构地区：[1]安阳工学院学报编辑部,河南安阳455000

出　　处：《江苏海洋大学学报（人文社会科学版）》2005年第2X期37-39,共3页Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）

摘　　要：从介绍英国19世纪批判现实主义小说家萨克雷的生平入手,通过对其代表作《名利场》所完成“描写真实”、“宣扬仁爱”两大任务的深刻揭示,就这位“天才”所显示出来的一系列艺术创新手法进行了评析,并对其存在的历史局限性进行了披露,高度评价了其在英国现实主义小说发展史上坚持真实性原则、不落窠臼而独树一帜的艺术成就。Vanity Fair is the masterpiece of William Makepeace Thackeray, one of the most important novelists of critical realism in the 19th century British literature. “Description of what is true” and “advocation of what is benevolent” are the two basic tasks in it. This paper makes a comment on all the innovative artistic skills revealed in the novel and Thackeray’s limitations due to the time he lives in. However, sticking to the principle of being true and unique, Thackeray has made great artistic achievements in the developing history of British realistic novels.

关 键 词：萨克雷 《名利场》 真实 仁爱 艺术创新 

分 类 号：I106[文学—世界文学]