论“印象派”绘画技巧在《诺斯托罗莫》中的运用  

Application of Impressionistic Painting in Nostromo

作　　者：邓颖玲[1] 

机构地区：[1]湖南师范大学

出　　处：《外国文学研究》2005年第3期75-80,共6页Foreign Literature Studies

摘　　要：约瑟夫·康拉德的长篇社会小说《诺斯托罗莫》以史诗般恢弘的场面、独特新颖的创作手法和丰富的思想内涵成为20世纪的经典之作。我国学者对它的介绍和研究远为不够。本文探讨“印象派”绘画技巧在该小说中的运用,指出康拉德在情节安排、人物刻画、语言组织上有意使用“印象派”绘画技巧,将语词符号幻化为更具直接冲击力的视觉艺术形态,使笔下呈现出一个光影斑驳、构图凝重、色彩鲜明的艺术世界,以诠释自己对现实生活的多维观照和深刻理解。Joseph Conrad’s social novel Nostromo becomes a classic in the twentieth century with its epically extensive scenes, original construction and profound ideology. However, its study in China is far from enough. This paper aims at interpreting the novel with impressionistic painting techniques. It holds that Conrad constructs a world of visual effect through the employment of these techniques in structure, character depiction and language in order to convey his personal experience and aesthetic ideas, to reflect society and human history more objectively and to enrich the implicitness and ambiguity of the novel.

关 键 词：绘画技巧 印象派 运用 诺斯 社会小说 20世纪 思想内涵 创作手法 情节安排 人物刻画 语言组织 艺术形态 语词符号 艺术世界 现实生活 康拉德 约瑟夫 冲击力 构图 

分 类 号：I561[文学—其他各国文学]