北宋末山谷后学的双重整合与《江西宗派图》  

The Dual Integration and The Diagram of Jiangxi School of Huang Tingjian's Followers in the Late Northern Song Dy nasty

作　　者：伍晓蔓[1] 

机构地区：[1]四川大学文学与新闻学院

出　　处：《文学遗产》2005年第4期72-78,共7页

基　　金：四川大学哲学社会科学研究青年启动项目资助。

摘　　要：江西宗派得名于吕本中的《江西宗派图》,是北宋末期一个带文学流派性质的诗人群体。以地缘为基础的南昌—临川—建昌诗人群体和以诗学思想为基础的符离—临川诗人群体的双重整合,是其发展的主导线索。大观年间,以徐俯为首的豫章诗社和吕本中发起的“东”字韵诗唱和,带来北宋末期山谷后学“同作并和”的繁荣局面,成为《江西宗派图》绘制的基础。Jiangxi School, named after Lü Benzhong, was both a group of poets an d a literary school in the Late Northern Song Dynasty. Its members were mostly i n Nanchang (南昌),Linchuan (临川) and Jianchang (建昌) etc. in the p rovince of J iangxi, and the dual integration of the poets in Fuli (符离) and th ose in Linchu an was the predominant clues of its development. In the Age of Dagu an (大观),th e poetical society Yuzhang headed by Xu Fu, together with Lü Benzho ng, promoted a kind of “collected poem-writing-and- singing” (“同作 并和”), which brought forth a prosperous literary scene in the Late Northern Song Dynasty and set up the ground for working up The D iagram of Jiangxi School.

关 键 词：《江西宗派图》 宋末 重整 后学 山谷 诗人群体 文学流派 诗学思想 吕本中 “东” 临川 唱和 韵诗 诗社 

分 类 号：I206.2[文学—中国文学]