走出白人文化霸权的藩篱——对托尼·莫里森的《最蓝的眼睛》的后殖民解读  

Escaping the Prison of White Cultural Hegemony ——The post-colonial reading of Toni Morrison's The Bluest Eye

作　　者：程静[1] 郭庭军[1] 

机构地区：[1]南华大学外国语学院,湖南衡阳421001

出　　处：《南华大学学报（社会科学版）》2005年第3期85-88,共4页Journal of University of South China(Social Science Edition)

摘　　要：　文章运用后殖民理论对托尼·莫里森的处女作《最蓝的眼睛》进行剖析。认为该文以一个黑人少女的精神崩溃和另两位黑人少女的幸存为对比,解密了美国国内帝国主义和白人文化霸权的实施过程及其对黑人心灵的戕害,力图唤醒非裔美国人的自我意识和形成对白人文化糟粕的抵抗,以此走出白人逻各斯中心主义的藩篱,建构积极坚定的黑人文化身份。<Abstrcat>This paper analyses Toni Morrison's first novel, The Bluest Eye, on the basis of post-colonial theory. It holds the view that, in contrast of one black girl's spiritual collapse and the two others' survival, the text demystifies the operational process of American domestic imperialism and white cultural hegemony, and its destructive effects on blacks. It focuses on awakening Afro-Americans' self-consciousness, forming their firm resistance against the worst part of white culture, thus escaping the prison of white logocentrism and constructing the actively firm cultural identity of blacks.

关 键 词：后殖民理论 美国国内帝国主义 白人文化霸权 黑人文化身份 

分 类 号：I106.4[文学—世界文学]