对美声唱法声区概念的思考  

Thoughts on Register Concept in Bel Canto

作　　者：孟军[1] 

机构地区：[1]山西师范大学音乐学院,山西临汾041004

出　　处：《山西师大学报（社会科学版）》2005年第5期144-146,共3页Journal of Shanxi Normal University(Social Science Edition)

摘　　要：由西班牙籍法国声乐教师曼奴埃勤.加西亚定义的“声区概念,”150多年来,已成声乐界权威典籍普遍遵从和应用的定论。其间,也有不少专家学者提出过种种质疑,指出其思维的机械和内涵的偏颇。但由于这些声音的微弱,并未能撼动既成定义的地位。笔者认为传统声区概念的定义有不可否认的缺陷;研究声区概念的整体性,应从轻重机能层面切入,而追求歌唱声区的完美统一,应是教学和研究者始终不渝的目标。“Register concept”, defined in 1855 by the spanish French vocalist Manuel Garcia, has been followed and used generally in authoritative ancient codes and records in vocal music circles for about one hundred and fifty years. During the period, many scholars and experts queried the mechanical thought and prejudiced connotation about the conclusion. However, the feeble arguments could not shake its status of established definition. The author of this paper thinks that the definition of traditional register concept has some definite defects. Research on the entinety of register concept should start from its light ahd heavy functions. And it is the teacher and researchers＇consistent goal to pursue the unity of singing register.

关 键 词：声区 轻重机能 歌唱声区 整体性 

分 类 号：J616[艺术—音乐]