绚烂之极归于平淡——汪曾祺小说文体的独创性  

Tending to Prosaic Style after Being the Most Splendid——On the Originality of Wangzengqi's Novel Style

作　　者：肖莉[1] 

机构地区：[1]大连外国语学院汉学院,辽宁大连116002

出　　处：《江西师范大学学报（哲学社会科学版）》2005年第4期61-65,共5页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：辽宁省社会科学规划基金项目(L03BYY020)

摘　　要：汪曾祺的影响在很大程度上是由于他打破了传统小说的创作程式,在艺术上进行大胆的尝试和探索,创作出“系列”的散文化的小说,形成他独特的文体特色。汪曾祺小说的散文化表现为:人物描写的散文化;叙述的写意性、主观性;结构的随意性。Wangzengqi＇s influence is to a great degree due to his writing style, he breaks the traditonal writing style, makes bold trial and innovation in art, and “series” prosification novels, forming his own style feature. The prosification of Wangzengqi＇ s novels reflects in ： literary sketch of figures; free hand bmshwork in narration; subjectivity; structure freedom.

关 键 词：汪曾祺 小说文体 散文化 

分 类 号：I206.6[文学—中国文学] I206.7