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作 者:谭容培[1]
出 处:《湖南师范大学社会科学学报》2005年第5期38-42,共5页Journal of Social Science of Hunan Normal University
基 金:湖南省社会科学基金重点项目"人的感性生命存在的审美学分析"(04ZD04)
摘 要:实在本体论推重逻辑思维,直觉则与生存本体论相联系。只有从实在本体论跳开,立于生存本体论视域,才能解除“计算性的思维”对人的感性生命和审美直觉的遮蔽。审美直觉所形成的心物相通,可引导我们达到感性生存本身和生命自由意识的深处。文学艺术审美是感性直觉和理性直觉的相互渗透和结合。文学艺术语言是产生于直觉或被直觉所激活的。Real ontology holds in high esteem of logical thinking, while existential ontology has a close relation with intuition. We cannot uncover the perceptual life and aesthetical intuition of human, which are covered by the “computing thinking”, until we take the perspective of existential ontology and skip over real ontology. The communication between mind and matter formed by aesthetical intuition could lead us to the perceptual existence and the deep of free consciousness of life. Aesthetics of Literature art are the pervasion and combination of the perceptual intuition and the rational intuition. Lcteraure art language is produced and activated by intuition
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